翻訳と辞書
Words near each other
・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Music of Sassanids : ウィキペディア英語版
Sasanian music

Sasanian music refers to the golden age of Persian music that occurred under the reign of the Sasanian dynasty.
Persian classical music dates to the sixth century BC; during the time of the Achaemenid Empire (550-331 B.C.), music played an important role in prayer and in royal and national events. But Persian music had its zenith during the Sasanian dynasty from 224 until 651 AD.
In this era, many of Persian music's ''dastgahs'' and modes were invented, most of them by Barbod. He employed 30 sounds for music. Naturally he recorded his inspirations and performed them for his audience, since if he did not, he could not play them again.
Dance and ''chanson'' were prevalent in court banquets. It said that on several occasions Persian musicians and dancers were given to the court of Chinese emperors by Sassanid kings, implying the high reputation and virtuosity of Persian musicians and dancers in that era. Another important role that music played was in the reception of foreign diplomats and kings from neighbouring countries, such as Byzantine or Hephthalites.
Five centuries after Barbod's death, Farabi made a record of all the musical pieces of his period and described the ancient note recording method. About 2,000 musical works and melodies and relics of that period have been passed on to us, including pieces from Barbod, Armove and Maraghi so that this music can be performed and played at present.
==Music in Sasanian Iran==
The history of musical performance in Sassanid Iran is however better documented than earlier periods. This is specially more evident in the context of Zoroastrian ritual.〔 iv. First millennium C.E. (1) Sasanian music, 224-651.〕 By the time of Xusro Parviz, the Sassanid royal court was the host of prominent musicians. In general the period of Xosro Parviz reign is regarded as an "golden age of Iranian music" and himself is shown in a large relief at Taq-e Bostan among his musicians and himself holding bow and arrows and while standing in a boat amidst a group of harpists. The relief depicts two boats and the whole picture shows these boats at "two successive moments within the same panel".〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Sasanian music」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.